You simply take the audio of the tail clip and let it bleed into the first clip. The J-cut is a great way to connect two clips that otherwise wouldn’t go together. The only way this kind of cut works, though, is when you tie it together with something else, like a soundtrack that plays behind the cuts. But in recent years, the jump cut has been transformed from a bad cut to a easy way to slim down a long take. The ones that don’t look good cut during an actor’s dialogue or are otherwise somehow jarring. There are two types of jump cuts: one that looks good and one that doesn’t. This cut is great when you’re trying to keep things simple.
If you have ever just placed a clip next to another clip, you’ve used a standard cut. It’s probably the most used cut out there, and you can think of it as “Shot-Reverse Shot.” It’s the continuation of the previous clip from a different angle - or a way to bring two different shots together. This is the cut that all of us know and love.
Once you understand these nine essential cuts, you can do more with your edits than simply splice scenes together. They are tools to tell a story, and that story can drastically change depending on the type of cut you use. It doesn’t matter which NLE you use, editing cuts work in every program. New to the cutting room? Need a little advice? Here are the nine essential cuts you should know when editing a film or video project.
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